Office Tetris – The Iso-Posts #5

The simplest of dinners – sourdough rye, home grown salad and fresh home made sausages

As promised in yesterday’s post, here’s a pic of the finished meal and it was delicious. I was really pleased with the sausages – flavour and texture were perfect!

Today has been a day of choices, discoveries and some sadness.

I’d only realised last week I was out of seed of my favourite endive “Bionda a curore pieno” and ordered a packet online from The Italian Gardener along with Lettuce Leaf Basil for next spring/summer. That prompted me to check stocks of other seed and do a top up with my local suppliers, Seed Freaks. They specialise in open-pollinated and heirloom varieties and I’ve had tremendous success with their seeds.

Anyway, after my morning feeding of the beasts and chili/basil check, I was picking veggies for tonight’s dinner and weeding the silverbeet. There I discovered a clump of self seeded endives pushing up through the straw and I imagine there’s a few Bionda in there. This is one of my favourites – it’s tangy flavour and great texture add so much depth to winter salads. The extra seeds coming in the post won’t go astray, I’ll just plant a few more 🙂

Later in the morning, I decided to tackle the shoe-box that is my office. It’s served as my music rehearsal space and teaching area, sewing room, writing den and main library for over a decade – effectively three rooms crammed into a tiny space barely big enough to swing a cat! It was high time to rearrange things so I can add more bookcases and start making some hard choices about how to both make the best use of the space and discard bits and pieces I’ve had boxed up in there for what seems like forever.

I found photographs of friends, some of whom are no longer alive, cables (so many cables!), old guitar strings, jars of beads that I meant to restring, demo recordings, little cards from my son when he was small and festival programs going back years. I started to feel a sadness that life is never really going to be the same again, and uncertain about what the future might hold for people like me in the creative industries.

It was more that a little overwhelming. But I also acknowledge there’s nothing at all I can do about it but reorganise my space – internally and externally – keep going and make the best of what I have and what I’m capable of doing. It was wonderful to fit in the new/old bookcase, and realising I could fit a box of my fabric stash on top was a bonus. Certainly like playing Tetris, moving things from one room to another, but incredibly satisfying that it fitted (just!) and made me feel like I’d achieved something important by getting it all to work.

From the crammed shelves of my main film library to the wide open spaces of that empty bookshelf – with a box of fabric for good measure!

Despite my generally upbeat nature, I think it’s important and healthy to acknowledge when I feel down or sad. Sometimes in the past I’ve repressed those feelings with spectacularly awful results – I think it’s like that for most of us. So please don’t be afraid to talk about your fears or sadness with people who matter – and I believe we all matter!

It’s definitely colder today but I’ll leave you with this little image, one I see every morning – the silhouette of a small, grey cat who likes to sun himself on our east-facing doorstep while I’m getting ready to feed him breakfast ❤

 

We’ll Keep On Going – Remembering Tony Cohen

Back in the dim, dark reaches of the last millennium, I was making music with a great bunch of folks here in Hobart. Together with Michael Turner, Dan Tuffy and Mel Fazackerley we made up Wild Pumpkins at Midnight.

Through Michael and Jo Volta (Stevens back then), we managed to get in Tony Cohen’s ear and he agreed to work with us on our first recording. It was a frantic, funny, at times frustrating but overall, an incredibly rewarding experience. Tony was insane, shambolic, intense – but literally amazing to work with. And for a new band, we knew how lucky we were to have him for the project. Working with him also led to meeting Chris Thompson, his great friend and the other very prominent engineer/producer in my time with WPAM.

These first sessions with Tony though, became the self-titled, bright yellow EP, with the little dancing figures in the bottom corner. People still talk to me about that first recording and even after 30 or so years, I’m proud of it. Looking (and listening) back, I can see how good Tony made us sound, and for that fact alone I will always be grateful.

We worked with Tony again over the years, hung out, made some questionable choices but always ended up falling about laughing courtesy of that razor-sharp Cohen wit. But, like so many people from those days, I lost touch with Tone over the years as other relationships, kids, physical distance and different lives got in the way. Occasionally Jo Volta would let me know what he was up to and I was always thinking I must catch up next time I’m in Melbourne.

And of course, now it’s too late and that makes me very sad.

It was only a brief moment in Tony’s stellar career, but I’ll leave you with my favourite track from that first EP.

 

Vale Tony, and thank you ❤

Friendship, Food and Music

Hello friends,

It’s been quite a few weeks since I’ve posted anything. Yes, I think I’m slack too, but I’ve been fairly snowed under with work, a nasty stomach bug and (as always) constant study and assignment deadlines!

A la Game of Thrones, winter isn’t coming – it’s well and truly here! At least winter had the good grace to wait until Dark Mofo had finished before settling in properly. And the colder weather’s brought some very icy mornings and plenty of work to do around my little urban farm. I’ve been weeding beds, transplanting lots of volunteer greens that that have sprung up and covering as much as possible with spent straw from the rabbit hutches. It looks like it’s going to be a really good crop of garlic this coming summer and I can’t wait to see how the later varieties fare in my microclimate. We’ve enjoyed the first few lemons off my tiny tree and the Blood Orange, Lime and Valencia are both surviving the cold weather so far *crosses fingers*

I’m waiting on another order of fruit trees on dwarfing rootstock that I’ll be putting up into wicking tubs like the apples last winter and trying to clean up the last of the chestnuts’ spiky husks and collect all the leaves for compost. I confess I’ve been putting off stripping out the greenhouse in preparation for spring. It’s such a big job and something of a domino effect – once I start, I can’t stop!

I was thinking about tackling it this morning but a visit from some friends saved me 😀 Matt was interested in trying one of my farmed rabbits to eat and arranged to call around with Robyn (another musician friend). Being winter, I had no fresh kits but had one in the freezer from the last litter for him. Robyn and I found about 500g of good chestnuts from two large buckets of spiky husks and I gave her and Matt fresh eggs, herbs and a jar of crabapple jelly for Matt’s elderly mother. We drank coffee on the balcony in the winter sunshine, discussed music, books and life in general.

Matt and I have known one another for many years and today was a delightful catch up. (We recorded “Clementine”, a song of his last year but I’m not sure when it’s going to be released!) He’s in the process of recording again and wanted to borrow my electric 12 string guitar (affectionately known as Dean), which I was happy to do. Meanwhile, I’ve been toying with buying a flat-back mandolin for playing in live sets and was utterly blown away when he gave me this today, saying it was just lying around, not getting played….

I’ve been tinkering around with it most of the afternoon and I think it’s going to be a fabulous addition. And I’m sure every time I play it I’ll think of my dear friend – I might even have to write him a song ❤

A Star is Born! (And a Sunday Gig)

Back in August (before life got seriously weird) I told you all about my friend Callum, who I’ve had the privilege of working with the last few months. Well, I’m extremely proud to say that his debut was the most fun I’ve had in ages and a resounding success!

Meraki Management runs a beautiful gig each Thursday called UNLOCKED at a The Waratah Hotel here in Hobart. It’s designed to nurture new music and let emerging artists rub shoulders with more experienced performers. And it was the perfect forum for Callum to strut his stuff.

The lounge was packed with Callum’s wonderful family, most of the staff from OAK Tasmania and his extensive network of friends. And he didn’t disappoint! Sadly, I haven’t been able to get any good footage to share with you all – it was one of those “you had to be there” moments.

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At the end of his set, he thanked his family and friends, turned to me and said “oh yeah, thanks to my assistant”. In a true Wayne’s World moment, I bowed down – not worthy!

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It was a night to remember! After we played, Callum worked the room like a real pro, making sure he thanked and talked to everyone who came to support him. Something many performers neglect, but it gives an idea of the sort of person he is, polite, kind-hearted but with a wicked sense of humour. He even got hold of a marker pen and signed people’s wrists. Like most folks there, I was the proud bearer of an autograph. It was sad when I finally washed it off ❤

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In the meanwhile Callum’s back at rehearsal. We’re getting more songs together, looking for gigs and planning a recording in the near future. This is incredibly exciting news and I’m really proud to be involved in bringing this young man to a wider audience.

And for those of you in southern Tasmania, I’m playing at another Meraki Management show tomorrow, Noteworthy at Customs House Hotel, down on Hobart’s beautiful waterfront. Also on the bill are two friends, Matt Dean and Ian Murtagh and it’ll be great to catch up with them too. It’s the first time I’ve played a full set in quite a while and I’m looking forward to it. Playing music is like gardening for me – great therapy 😀

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The Lucky Six – Preview Time!

So, after much ruminating, listening and re-listening, I went back down to The Belfry Studios at Murdunna to remaster some tracks. There was a lot of hanging out in the sunshine with my friend and co-producer Malcolm Battersby too – it was a stunning spring day!

Between Murdunna and Dunalley

The results are pretty fine (if I say so myself) and I think The Woman on the Edge of the World is almost ready to head off for pressing. The Lucky Six is a collection of six songs by other artists that I love and have influenced me in some way. This is about ready for release as a digital download and I’ll be putting it up on SoundCloud in the coming week and putting a link here 😀

So, to celebrate this momentous occasion, I’m putting up a track from The Lucky Six for your listening pleasure. I first heard “Little Fishes” in the early 80’s, on an album called Grubby Stories by an incredible English poet and songwriter, Patrik Fitzgerald. It’s a great song and (like much of Fitzgerald’s work) had a profound effect on me. I hope you enjoy my take on it ❤

New Playlist

And because it’s Friday – the best reason for everything – I’ve updated the playlist in the sidebar.

For your listening pleasure, I’ve uploaded three tracks from the digital download version of my solo album, “The Woman on The Edge of The World”.

TWOTEOTW Front Cover

TWOTEOTW Front Cover

It’s recently been remastered for a limited, numbered and signed CD release. More news on that soon – including ordering directly from here.

Meanwhile, have a listen and let me know what you think. I always value your comments.

Debra ❤

ASA Update

ASA July 2015 Poster

ASA July 2015 Poster

Hello friends,
I’m pleased to announce the Australian Songwriters Association Tasmania are returning at a new venue – The Homestead in Elizabeth Street on Tuesday July 21st.
I’m incredibly honored to be the feature artist that night – which also means I’ll be under examination by MC Matt Dean prior to my set. If you want to hear me rabbit on about my craft, performing and mentoring please come along. As with all ASA Wax Lyrical nights, this is a free show.
At the moment, I’m trying to find out if we can film the interview so those of you who are interested but don’t live here can get an opportunity to see and hear what I’m about.
Meanwhile, there’s more gigs to talk about soon!
Take care,
Debra ❤

Projects – Concluding and Beginning

As the snow piles up on the mountain and the days are getting noticeably shorter, it’s really good to have lots of projects on the go.

The Woman on the Edge of the World is foremost in my mind now, the art is kinda sorta in place and the liner notes are written. However, knowing me I’ll find something to edit in the next few days. Interestingly, I’ve maintained the original art work I produced to tag the digital download version, including my cover, featuring the Currie lighthouse on King Island.

Inner sleeve, ready for liner notes!

Inner sleeve, ready for liner notes!

It’s going to be a very limited run, 150 copies only (numbered and signed), so please contact me here or via the comments if you want to go on the pre-order list.

And today, I’ve just had a lovely lunch and meeting with friends, discussing a game project I’m writing narrative/screenplay for. It’s all in it’s very earliest stages, but really exciting, working with some very talented men and women who are equally passionate about games, art and storytelling.

Looking forward to a busy winter here in Tasmania!

Take care wherever you are,

Debra ❤

The Bittersweet Nature of a Busy Life

Sometimes, things fall in your lap that are wonderful. And throughout my life, I’ve been lucky enough to have a lot of these treasures come my way.

Meeting Kirsty, then Sara and playing in Straddlepuss with them has certainly been a treasure. Not only are these two great emerging musicians and songwriters but also amazing young women, who I’m really proud to call my friends. Saturday 21st March, we are incredibly pleased to be playing at GRRL Fest 2015 in Melbourne.

So, It’s more than a little bittersweet to announce that I’ve decided to leave Straddlepuss – but other exciting projects are starting to get very pressing!

I’m really pleased to announce that The Woman on the Edge of the World will be going ahead as a CD release later this year. Remastering is scheduled for mid-late April, artwork is in the final stages, and it will be limited to only 100 signed and numbered copies. Also, it will only be available through me. I’m happy to take pre-orders but holding off a little until I find out the retail price. Trying my best to keep this little collectable affordable! Plus, The Lucky Six covers EP which was first mooted as a recording project in 2013, looks like it will happen as (at least) a digital download later this year. At present, we’re considering mastering, release options and licensing, all the important – but often tedious – stuff that makes the music industry go round.

Meanwhile, the All At Sea project with documentary maker, Josh Troy and the inimitable Matt Sertori from Butterscotch Pony is still forging on. Lots of footage for me to look at now apparently! And we still have to look at recording options for this beastie too……. so much work to do!

And amongst all of this, my university studies continue. I’m doing second year Screen Studies units now through Griffith University and it’s really making me work. Nevertheless, I’m really enjoying the challenge. It’s so different to anything else in my life.

Honestly, I’ll really miss playing in Straddlepuss but I look forward to my other projects and new challenges. I’ll still be going to their gigs in the future and cheering on these truly fabulous women ❤

Straddlepuss + The Roobs + Billy Longo

Roobs posterI’m incredibly excited about this upcoming gig! The Roobs are a kind of Hobart institution, renowned for great fun as well as fabulous music. We’re playing at the very popular Homestead, 304 Elizabeth Street, North Hobart and I believe kick-off is 9pm. (It’s worth noting The Homestead have some very yummy and reasonably priced food available if you come down earlier).

And just to make it all the sweeter, we’ve decided to giveaway copies of our demo CD we recently recorded down at Belfry Studios. Numbers are very limited, so make sure you’re there to snaffle your piece of Straddlepuss 😉

Gas-Mask Girl by Sara Stevens

Gas-Mask Girl by Sara Stevens

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