Beirut

Beirut 2018 Directed by Brad Anderson

*No spoilers in this review*

I went to an advanced screening of this over the weekend and it was a packed house. After the film as we were filing out, one of the staff asked a patron if they enjoyed it. The older woman replied “well, I don’t think enjoy is quite the right word. It was very interesting but a bit confusing” and I think that’s a fair assessment of this densely packed political thriller.

Directed by the always visually reliable Brad Anderson, the screenplay is by Tony Gilroy who wrote the Bourne trilogy, Michael Collins and my favourite Star Wars film, Rogue One. There are some fairly difficult issues embedded in this period thriller and at first glance, it would be easy to dismiss it as just another example of western filmmakers using a Middle Eastern location for ethnic flavour and racial stereotyping but I think it offers more on deeper examination.

First and foremost, this is clearly a star vehicle for Jon Hamm (who I last saw and loved in Baby Driver) and he is wonderful as Mason Skiles, the alcoholic and grief stricken former political negotiator. It can’t be denied there are echoes of Don Draper here but I think Hamm pushes beyond that by virtue of Anderson’s direction, a lovingly crafted script and a charismatic performance from Hamm. Rosamund Pike is the perfect choice as his foil and she gives a fine and nuanced performance among a lot of boys as a CIA operative and Skiles’ handler.

The film opens in 1972 and after much calamity and personal heartbreak for Mason Skiles, the action forwards to 1982. The clichés abound (especially when the three characters representing US government interests are introduced), and I noticed some quite heavy symbolism at times – particularly around children playing in and around weapons and rubble and blatant disparities between privilege and poverty. At times I was reminded of films like the Bourne trilogy and even Syriana but ultimately it was an examination of one man in extreme crisis, seeking personal redemption.

Some of it is pretty clunky and (without giving anything away) I wasn’t really on board with the ending but it really is worth it for Jon Hamm’s fine performance. If you want to get the most out of this, it probably pays to have at least a passing knowledge of Middle Eastern history of the period, but at its heart, Beirut is looking at the political tragedy of the time through the lens of personal loss and the notion that terrorists are not born but made.

Beirut opens at the State Cinema, Elizabeth Street, North Hobart Thursday 26th July.

Charade

Charade 1963 Directed by Stanley Donen.

This quite delightful spy thriller/romantic comedy came out in the midst of the Cold War, hot on the coattails of James Bond and could’ve been made by Alfred Hitchcock. Instead, Stanley Donen (who also directed Singin’ in the Rain, Seven Brides for Seven Brothers, Two for the Road and Bedazzled among many others) exercises a light touch on something that could’ve been entirely inconsequential but is made memorable by a particularly fine cast.

There are noir story elements here too, especially in the night time scenes and Paris fits the bill as a most elegant setting for the action. Cary Grant is busy being Cary Grant and Audrey Hepburn is simply gorgeous in her Givenchy outfits and the chemistry between the two leads is everything you want from this kind of film. It’s well backed up by a Henry Mancini score and the great Charles Lang as director of photography.

What takes this up a notch for me is a truly fine supporting cast – George Kennedy, James Coburn, Ned Glass, Jacques Marin, Dominique Minot and the always watchable Walter Matthau. Donen even extends the Hitchcock comparisons by appearing briefly in a scene.

It’s not deep, it’s not the greatest movie ever made but if (like me) you like some escapist and nostalgic fun occasionally, this is extremely entertaining.

Winter Warmers Part 1 – Boeuf en Croute

Moon set at sunrise over kunanyi/Mt Wellington 30th June 2018

Now we’re past mid winter’s day the weather has taken a much chillier turn (very common for this time of year) and unfortunately it’s wet as well. Normally, most Australians south of the tropics would welcome rain but tanks are full, garden beds are waterlogged (very bad for the garlic crop!) and the chicken’s yard is rapidly turning into a quagmire.

The biggest issue is that it’s kept me housebound. As a rule, winter in Hobart is much drier and colder but we are blessed with crisp, clear blue days, ideal for outdoor activities. Winter is normally the time of year when I want to do things with fruit trees, sharpen spades and secateurs, clean out the greenhouse, prepare beds for spring planting, and generally charge around the yard, doing things to keep warm.

So, although it’s been milder than usual, it’s just been too wet to do a great deal out of doors on the days when I’m home to do so. As a result, I’ve been cooking more and watching a lot of movies!

Last weekend, I started half heartedly taking stock and cleaning out the freezers (yes, I was that desperate to be doing something). There were lots of treasures for winter meals – home made pork and chicken stock, roasted and peeled chestnuts, slow cooked beans in meal size portions, leftover servings of curry and soup and bones from the christmas ham that need using very soon. To my horror, I discovered the last beautifully packaged piece of truffle that was lurking in the back corner of a freezer. I buy a Tasmanian truffle every winter and try and make the most of it fresh and then spend the rest of the year dreaming about truffles, so I was horrified to think I’d neglected this exquisite morsel, hoping it hadn’t denatured or suffered freezer burn. Thank goodness I wrapped it so well – it was fine!

I had a piece of beef fillet that was looking for a good recipe too, and a need to do something special for myself as well as my long suffering partner (aka He-Who-Must-Not-Be-Listened-To). So I decided to make a rather spectacular but remarkably easy dinner. The preparation is everything with this but in my opinion, the easier you can make the flavour profile, the more clearly the core ingredients can shine through, in this case the truffle and the beef. I think it’s worth making just for the aroma. My house smelled amazing for days after ❤

Before we get into it, I just want to talk about expense. At first glance this looks incredibly expensive, and compared to most of the food I share here, it probably is. I did a rough costing and (without wine or power allowances) this comes to approximately AU$70 of ingredients for two generous serves. Given that a quality pub meal in Hobart can vary from AU$25-35 for steak per person and something like this in a restaurant would be more in the order of AU$45-65 per serve, I think this is really good value for something exceptional that most home cooks can easily manage. Now, let’s crack on!

Boeuf en Croute (serves 2)

Beef fillet piece (approximately 500g/1 lb)

1-2 sheets frozen puff pastry

2 rashers of good quality bacon

Truffle (my piece would’ve been just under 20g)

1 clove garlic (optional)

Fresh herbs (I used oregano and sage)

Salt and pepper (optional)

Method:

Heat a skillet to high and sear the beef on each side quickly. The idea here is to seal the meat, not to cook it through, so make sure the skillet is very hot. Remove the meat once every side (ends included) has seen the pan and set it aside to cool completely. (I left mine for about an hour).

Preheat an oven to 180 C (350 F). Lay the pastry sheet(s) out on a parchment covered board to defrost. How much pastry you need is determined by how big your piece of beef is and how much you like puff pastry. Once defrosted you can roll the pastry out a little to make it fit or be lazy (like me) and make a patch with another piece of pastry.

On a clean board remove the bacon rind, chop the garlic and herbs finely and slice the truffle. On a defrosted pastry sheet, lay out the rashers of bacon side by side and cover with the chopped herbs and shaved truffle. I don’t have a proper truffle shaver but find the slicing blade of a box grater does very well. Also, I don’t generally use salt and pepper but if you do, this would be the spot to use it.

Now for the tricky bit! Position the beef on the top side of the pastry sheet like this –

Use the parchment to help make a tight roll. Also, I find rolling towards yourself lets you see what’s happening and poke any stray pieces of truffle or herbs back into place. I used a little water and a pastry brush to tack an extra piece of pastry to one edge and finished the roll, using this as the surface the roast sits on. At this stage, I also trimmed a little excess pastry off the sides and folded the sides tightly, making sure the meat was completely sealed in the pastry. I put a few decorative slashes on top to give some indication where to slice for serving but you can decorate it any way you like.

Place on a small roasting tray and bake on the middle rack for 35-40 minutes. Everyone’s oven is different so adjust your cooking time accordingly. Mine came out medium rare though it looks more like well done in the photograph (and the pic of the pastry lies too – it was nowhere near as dark as the photo!)

Leave the meat to rest for 10 minutes and then carve carefully into four slices. Serve on a bed of wilted spinach or silverbeet (Swiss chard) and a glass or two of good red wine.

Next time, I’ll share how I used the ham bones to make home made Baked Beans – one of the cheapest and heartiest meals ever. Although it costs far less, it actually takes more time to make than Boeuf en Croute!

Also, please let me know if you try this recipe – I always love to hear from you 🙂