Mentoring – What Makes The World Go Round

On Stage at Casbah Cafe

On Stage at Casbah Cafe

As a songwriter and performer, I think there’s nothing better than actually getting on a stage and plying my craft. But as a teacher, there’s nothing better than to see the results of my work, as a student stands on a stage for the first time.

Mentoring can take so many different forms in creative arts. Some of the most productive things can come out of a casual chat over coffee rather than a formal session. Just a quiet word from the right person has been like gold sometimes, reassuring me that my path is true. I’ve found particular people who’ve been wonderful in assisting me in areas that I didn’t have that much knowledge in, such as finance and bookkeeping, understanding how the live music industry can be radically different in non english speaking countries and the never-ending ferris wheel of public liability insurance.

Sometimes it’s been as simple as an exchange of networks or as complex as a full “how to” on a particular area – but I suggest don’t feel compelled to act on all advice given! In my opinion, the best mentors always will say “well, that’s my thoughts but it’s your decision”, rather than “you must do this”!

No matter how you go about it, it’s important. Singer/songwriters are for the most part involved in a solitary existence, both a creators and performers. We stand on the stage alone, singing songs we wrote alone. Outside input, particularly from folks who’ve done or are still doing similar things can be gold!

Recently, I had the joy of mentoring one of my students Cassie O’Keefe. We played on the same bill at Casbah Cafe’s regular Women Songwriters’ night in Hobart and it was (as Cassie put it) her first grown up gig. Yes, she made mistakes but she carried herself onstage with honesty and dignity and has learned a great deal from the experience.

At 17, this girl has a wonderful future ahead of her as a performer and songwriter and if you’re in Hobart next month, Cassie will be playing again at Casbah Cafe on Thursday 11th July.

Cassie at Casbah Cafe

Cassie at Casbah Cafe

For me, mentors have been a part of my entire life and have taken many guises. I attribute a lot of my success to good advice and assistance from people who have and still care about my professional development. I’m interested in hearing your stories about mentoring too – let me know what you think. For me it’s the stuff that makes the road just that much easier and makes my world go round.

Take care and see you soon,

Deb 😀

Joe Abercrombie & Happening Hobart

It’s all been at my doorstep recently, wherever I turned there was something to see, do, attend, revel in – and this was just in and around Hobart!

Last weekend there was wonderful community-building The Works Festival at Glenorchy, Music Tas’ Amplified Festival (that I was very proud to be involved in with The Fringe Dwellers). The previous week we had Synesthesia at MONA and the Tasmanian Breath of Fresh Air Film Festival…… and a visit from Joe Abercrombie – one of my favorite writers.

For the uninitiated, he’s the author of six books all set (so far) in a world not too dissimilar from our own in the late middle ages or early renaissance . The First Law Trilogy (1. The Blade Itself, 2. Before They Are Hanged, 3. Last Argument Of Kings) is an epic, humorous, brutal and twisting introduction to this guy’s universe – and I wouldn’t recommend it to the squeamish! Best Served Cold (my personal favorite), The Heroes and recently released Red Country are stand alone novels that include characters from the trilogy.

Apart from the fact he writes really well, he’s also quite a charming young man and has a family to feed – go buy his books 🙂

The delightful Joe Abercrombie

Solo Shows

Two solo gigs coming up in Hobart…..

Thursday 15th November Irish Murphy’s, Salamanca Place, Hobart 9pm

Saturday 17th November Brookfield Winery, Channel Hwy, Margate 12:30pm

Follow the links for more details

Debra 🙂

Northern Road Trip

Sheffield Spring

A couple of weeks ago I had a brilliant time doing the roadtrip thing up to Launceston and further to Sheffield. The weather was typical Tasmanian spring – balmy and warm to torrential rain, thunderstorms and snow in the space of three days!

Chris Ball

Had a great catch up with old friends at the ABC in Launceston and did a pre-record of an interview for their Drive program with Hilary Burton. I don’t care to think how many years it’s been since I last caught up with Andrea and Chris – of course we haven’t aged a day…… We talked about my current projects – the solo album “The Woman On The Edge Of The World” and The Fringe Dwellers’ debut outing “After Time” and I played a few songs from both.

Andrea O’Connor

Sadly, Hilary took ill the next day and the interview didn’t go to air as planned but they put it up on the ABC Northern Tasmania site in their blog section – along with some gorgeous words from Chris. I’m sure I’ll be heading back up north soon and will revisit the ABC studios! After a quick catch-up in town with my beautiful son I had a great night with Launceston friends Matt Sertori and Michaela Young (aka Butterscotch Pony). Matt’s latest venture is a new magazine “Spleen” which is about to hit Tasmanian streets but I’ll talk further about that in a future post.

Friday came around with unrelenting rain throughout the morning, so I trundled on up the extremely wet highway to Sheffield and the gig. It’s been years since I’ve been through this part of the state and I definitely recommend it to anyone – visitor or resident. Despite the rain, it’s a beautiful part of the planet and Sheffield in particular is really geared towards tourists and travelers.

After a beautiful lunch at the Blacksmith Gallery (the home of Skwiz) the rain stopped, the clouds parted and out came the sun again – just in time for me to take my new camera (Wayne) out for a stroll. Sheffield is billed as the town of murals, and they hold an annual festival that brings mural artists and tourists from all over.

One of the murals in the main street

The murals are interesting and varied and even though many weren’t to my taste I think it’s brilliant to find a town in rural Australia that has a park dedicated to such an artform. Also quite a few of the shops have embraced the form and it makes for a much more interesting streetscape. It’s also one of the friendliest towns I’ve visited. Locals were happy to help, provide directions – and bargains! There’s a fantastic op shop just off the main street, where everything is bargain price and the staff are lovely.  Only 23kms from Devonport on the north west coast, I highly recommend the detour if travelling on the ferry from Melbourne.

Meanwhile, it was time to get back and set up for the gig….. and of course,

Audience moving in and drying off!

weather closed in again. This time there was thunder, lightning and torrential rain, and still people braved the elements! I met some great folks that night and reacquainted myself with a few more! I ended up playing for over two hours, telling stories and having a really lovely time. I really wish I could have transported the venue and the audience down to Hobart. There really aren’t enough listening venues – and audiences to match – anymore.

Doing my thing. Photo by Greg Eyre

They are one of the things solo artists adore, people who want to hear the songs! Allen Stott who organises the gig on behalf of the Friday Night Folk mob does a great job. In fact, everyone involved was wonderful to me and I thank them all sincerely. I was billeted out to Dianne whose property is at the base of Mt Roland. She and her son were so hospitable….. there was even good coffee in the morning! And because it’s Tasmania and springtime, there was also snow on Mt Roland!

All in all, a really great weekend away – going to have to do it again soon!

Mt Roland

Debra Manskey – Tasmanian singer songwriter still hits the high notes. – ABC Tasmania – Australian Broadcasting Corporation (ABC)

Hey everyone,

This is a lovely article on the ABC Northern Tasmania blog written by the most articulate tech in the country – Chris Ball. I’ll be writing a blog of my own in the next few days….. with less photos of me in it!

Wherever you are, enjoy!

Deb

Debra Manskey – Tasmanian singer songwriter still hits the high notes. – ABC Tasmania – Australian Broadcasting Corporation (ABC).

In the ABC Northern Tas studio

Video Saturday

The Fringe Dwellers have an album out – “After Time” – and to promote it we’ve decided to make a video of one of my favourite songs from the CD, “Sunstruck”. Yesterday was supposed to be filming day, on my balcony in Hobart in the late morning sunshine.

Typically, the heavens opened and didn’t let up until late last night – though the irony of the situation wasn’t lost on me! 19mm of rain later, we finally got a window of sun this morning……. and I got to use my new toy.

About a month ago, I discovered this amazing little device that literally turns anything into a speaker. It’s very small and great fun to play around with. For the video shoot we needed some playback for me to synch with and groove to and the mini speaker on the wheelie bin was perfect! In the picture below you can see it on top of the bin, being fed signal from the laptop.

Mal with laptop on the plastic chair, powering my tiny speaker on the wheelie bin for playback

There’s a silly video promoting the product here – and I guarantee it sounds awesome on the toilet seat!

Meanwhile, we had a heap of fun. Made the neighbourhood wonder what the hell we were doing and entertained my neighbours and the plumber immensely.

“I don’t like make up”

I’ll be sure to post the final video here when Mal finishes editing. Take care everyone and have a brilliant weekend wherever you are!

Upcoming Events!

Hi friends,

Just a quick reminder that I’ve got a solo concert coming up next Friday, 28th September at Skwiz Cafe & Gallery in Sheffield, Tasmania. I don’t get up to the north of the state often enough for my taste and I’ve heard nothing but brilliant things about the venue and the organisers. Details here.

For those of you able to attend I’ll have copies of The Fringe Dwellers‘ album “After Time” available plus high quality MP3’s of my solo album “The Woman on the Edge of The World”  – so bring a USB and grab some music!

In conjunction with the Skwiz concert, I’m doing an interview and playing a few songs on ABC Northern Tas. This is going to air at approximately 5:30PM Friday 28th Sept Australian Eastern Standard Time – that’s +10 UTC to the time zone savvy. Thanks to the magic of the Internet this broadcast will be able to be heard by anyone anywhere!

It’s really cool to think that friends & family as far away as Broome, Singapore, Manhattan and  London are planning on listening in. If you’re interested in hearing me babble, here’s how!

Make sure you’ve got the right time – I use the World Clock at Time & Date, it seems the easiest.  Go to the ABC Northern Tasmania website and find the “Listen Now” tab (on the right hand side) and there you go! I’m performing on the Drive Show.

Meanwhile, I’m taking my new camera (Wayne) on the road with me and I’m sure to have lots of new photos to share once I get back home. I’ll leave you with a new pic courtesy of the very talented Hailey Gearman, Hobart photographer and all-round great gal!

 

 

 

The Quest For Excellence

It’s a given – we’ve all learned enough about our instrument/s to get up the courage to go out and start gigging. Forever after it’s a constant struggle to be better at what we do, to hone our craft. That is every musician’s lot from the beginning to the end of our careers.

Why doesn’t this apply to other people in our industry?

I had contact back in June from a lovely group of people up the northern end of Tasmania who want me to come and play a solo concert show for them next month. (Friday Nite Folk – I can’t wait – it’ll be great fun!) In order to make sure  I cover my costs, I put out feelers for another gig in the region. I got in touch with a  young man I’ve met a couple of times for a regular night he books and we settled on the date I needed. That date was confirmed by another musician friend of mine who lives in his area a few days later. Fantastic! My mini tour is set up, and I know my costs are fully covered.

Last week (six weeks out from the gig) I found out my covering gig hasn’t been booked. There is no apology, attempt to explain – all I’m told is the night is booked – and not for me. With a bit more investigation, it seems I’m not the first musician to have their dates canceled without notice. Now don’t get me wrong, this guy is (in my experience of him) a really nice young fellow. “He’s just a bit disorganised”, is what everyone says of him.

A friend told me during the week of his experiences in northern England back in the 80’s, though I think you could transfer this to any part of the planet and any time period. Young guys who ended up as bookers for clubs because it provided them with entertainment in their local bar, free booze from the venue and a chance to “pull birds”. The actual  booking and management of their work was an afterthought, and my friend had several experiences of turning up to play a show only to find they’d been double-booked by someone who couldn’t keep their schedules straight.

It’s something we’ve all been through I’m sure but it’s caused me to think about the levels of professionalism that exist in our industry for people out of the spotlight – bookers, managers and agents – and how we as performers can help improve them.

There are quite a few organisations and publications that cater to this: in Tasmania CMST have run management forums and I know are interested in improving local standards, MMF Australia which is linked directly to the IMMF and provide brilliant workshops and resources to people at all levels.

At a base level however, all the workshops and books in the world won’t change ingrained habits. It’s the old “you can take the horse to water but you can’t make it drink” scenario. People have to want to change their behavior.

And that’s where we come in, we have the power of the word……. if you as a performer are unhappy with your treatment by a booker – complain to their venue management.

Speaking up is so important not only in our self management as artists but also in being clear in our business communication. I know people are often unwilling to complain because they’d rather have a badly organised gig than no gig at all and they’re frightened of being punished by a booker for complaining to their management. Anyone who threatens a performer in that manner is engaging in workplace bullying and should be reported immediately.

So friends, be clear in your communications, and if you have cause to complain keep it on a business footing – don’t get personal, it’s tacky and unprofessional. Speak up and be heard, for the sake of improving your business dealings as well as your music!

Live at The Peacock Theatre, Hobart (Photo by Saria Philips)

Performing v Teaching – The Great Divide

“I Want It All!!!”

Every since I can remember there’s always been a debate as to what musicians should do – perform or teach.

As a small child I recall being present when my father (possibly the finest musician I’ve ever met) was discussing with a couple of performer friends the merits of his teaching work, who were shaking their heads sadly. The implication was that he’d somehow sold out by going down the teaching route. He was still performing at that stage too!

I don’t remember this but apparently they asked me what I wanted to do when I grew up and (true to form) said I wanted it all!

The story goes like this. If you teach, you must be a second rate performer and if you perform you can’t ever be a decent teacher. Personally, I’ve always found it a vacuous argument – I do both and have done for many years. How well I do them is a matter of conjecture of course, but I have managed to balance the two – and I believe I am a better performer and music educator for the experience.

I know most of my students would tell you that they come to me because I am a performer and understand what it takes to be that kind of musician.

Recently, I had a phone call from a family member, who took the teaching route after graduating from a prestigious Australian music conservatorium. She teaches at an International School in South East Asia and many people I know would be jealous of her career and lifestyle. Nevertheless, a touring musician made a thoughtless remark at a concert she recently attended that amounted  to saying teaching was second rate compared to the exciting life of touring.

Touring is hard work. Yes, it’s exciting going to new places and playing to new audiences but very risky financially, physically very draining and (no matter what anyone says) can be grindingly dull when you’ve played so many dates you can’t recall what town you’re in anymore. These days I try and break up my performance schedule with a little time off, a day for relaxation and sleep and just playing tourist or catching up with friends or family. Fellow Tasmanian musicians The Sign are a good case in point. Currently touring in the US, they’re making it a road-trip holiday and family get together plus a very slick and professional music tour. Smart people!

In many respects I think teaching is the harder gig. One-to-one or groups, students hang on your every note and word, and they’re very happy to question if  you do anything that might contradict what you’re trying to get across! The process of educating for me is a different kind of performance, with it’s own specific skill set. And it must be said that just because someone is a brilliant live performer that does not follow that they will be an equally brilliant educator!

For me the old “those who can, do – those who can’t, teach” chestnut just doesn’t stack up – I love both and will continue to educate and perform to the very best of my ability.

If you want to read more, this 2007 blog from professional double bass player & educator Jason Heath is recommended.

I’ll finish by quoting US classical pianist Joshua Nemith;

The path to a narrow musical career is paved with good intentions. Today, more than ever, that path needs to widen rather than permanently branch into two unconnected avenues: educators who are not performers, and performers who are not educators.

The Woman On The Edge Of The World – A Review

TWOTEOTW Front Cover

Below is a review of my latest album, which I released earlier this year. Reading it still gives me goosebumps – Matt’s review is extraordinarily generous!

If you’re interested in having a listen, “The Woman On The Edge Of The World” is available on my SoundCloud page. Individual tracks as well as the full album are available for purchase.

Sales have been very good but I’m currently looking at potential crowd-funding methods of releasing a physical CD & vinyl version, with posters and possibly art & lyric book.

I welcome your feedback 🙂

March 2012 Sauce Magazine Review

“The Woman on The Edge of The World”

Many would know Deb as the female vocalist from ARIA award winning Wild Pumpkins at Midnight or more recently as one half of the blues/roots Fringe Dwellers. Like her contemporaries, Deb had always enjoyed more recognition inEurope. Angie Hart and Monique Brumby have publicly acknowledged the importance of Manskey’s influence.

I won’t go into why it took 13 years to make this album but in many ways the songs tell so many beautiful stories of sadness and sorrow, perhaps it’s better to let the music tell the story.

This is a stripped back acoustic album, just vocal and guitar. “Drowning On Dry Land” is perhaps the most intense song on this album, far more intimidating than anything PJ Harvey, Sinead O’Connor or Patti Smith have ever committed to tape.
”Sandy Bay” is an un-mistakenly Tasmanian song, capturing feel of the suburb and referencing the landmarks, as John Lennon did when he sang the Rubber Soul era, “In My Life”. But it’s not an entirely miserable experience. “Mr Invincible” is a wonderful up-tempo slice of pop, as is “Beautiful Life”. This album has been a long time in the making, it might be more accurately described as a greatest hits album, no doubt the toughest decision was deciding which of the hundreds of great songs she wrote in its preparation to banish to the orphanage.

Manskey possesses one of the finest voices imaginable and if you buy this album you will discover, she is also one of the finest songwriters.

Matt Sertori

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