Northern Road Trip

Sheffield Spring

A couple of weeks ago I had a brilliant time doing the roadtrip thing up to Launceston and further to Sheffield. The weather was typical Tasmanian spring – balmy and warm to torrential rain, thunderstorms and snow in the space of three days!

Chris Ball

Had a great catch up with old friends at the ABC in Launceston and did a pre-record of an interview for their Drive program with Hilary Burton. I don’t care to think how many years it’s been since I last caught up with Andrea and Chris – of course we haven’t aged a day…… We talked about my current projects – the solo album “The Woman On The Edge Of The World” and The Fringe Dwellers’ debut outing “After Time” and I played a few songs from both.

Andrea O’Connor

Sadly, Hilary took ill the next day and the interview didn’t go to air as planned but they put it up on the ABC Northern Tasmania site in their blog section – along with some gorgeous words from Chris. I’m sure I’ll be heading back up north soon and will revisit the ABC studios! After a quick catch-up in town with my beautiful son I had a great night with Launceston friends Matt Sertori and Michaela Young (aka Butterscotch Pony). Matt’s latest venture is a new magazine “Spleen” which is about to hit Tasmanian streets but I’ll talk further about that in a future post.

Friday came around with unrelenting rain throughout the morning, so I trundled on up the extremely wet highway to Sheffield and the gig. It’s been years since I’ve been through this part of the state and I definitely recommend it to anyone – visitor or resident. Despite the rain, it’s a beautiful part of the planet and Sheffield in particular is really geared towards tourists and travelers.

After a beautiful lunch at the Blacksmith Gallery (the home of Skwiz) the rain stopped, the clouds parted and out came the sun again – just in time for me to take my new camera (Wayne) out for a stroll. Sheffield is billed as the town of murals, and they hold an annual festival that brings mural artists and tourists from all over.

One of the murals in the main street

The murals are interesting and varied and even though many weren’t to my taste I think it’s brilliant to find a town in rural Australia that has a park dedicated to such an artform. Also quite a few of the shops have embraced the form and it makes for a much more interesting streetscape. It’s also one of the friendliest towns I’ve visited. Locals were happy to help, provide directions – and bargains! There’s a fantastic op shop just off the main street, where everything is bargain price and the staff are lovely.  Only 23kms from Devonport on the north west coast, I highly recommend the detour if travelling on the ferry from Melbourne.

Meanwhile, it was time to get back and set up for the gig….. and of course,

Audience moving in and drying off!

weather closed in again. This time there was thunder, lightning and torrential rain, and still people braved the elements! I met some great folks that night and reacquainted myself with a few more! I ended up playing for over two hours, telling stories and having a really lovely time. I really wish I could have transported the venue and the audience down to Hobart. There really aren’t enough listening venues – and audiences to match – anymore.

Doing my thing. Photo by Greg Eyre

They are one of the things solo artists adore, people who want to hear the songs! Allen Stott who organises the gig on behalf of the Friday Night Folk mob does a great job. In fact, everyone involved was wonderful to me and I thank them all sincerely. I was billeted out to Dianne whose property is at the base of Mt Roland. She and her son were so hospitable….. there was even good coffee in the morning! And because it’s Tasmania and springtime, there was also snow on Mt Roland!

All in all, a really great weekend away – going to have to do it again soon!

Mt Roland

Upcoming Events!

Hi friends,

Just a quick reminder that I’ve got a solo concert coming up next Friday, 28th September at Skwiz Cafe & Gallery in Sheffield, Tasmania. I don’t get up to the north of the state often enough for my taste and I’ve heard nothing but brilliant things about the venue and the organisers. Details here.

For those of you able to attend I’ll have copies of The Fringe Dwellers‘ album “After Time” available plus high quality MP3’s of my solo album “The Woman on the Edge of The World”  – so bring a USB and grab some music!

In conjunction with the Skwiz concert, I’m doing an interview and playing a few songs on ABC Northern Tas. This is going to air at approximately 5:30PM Friday 28th Sept Australian Eastern Standard Time – that’s +10 UTC to the time zone savvy. Thanks to the magic of the Internet this broadcast will be able to be heard by anyone anywhere!

It’s really cool to think that friends & family as far away as Broome, Singapore, Manhattan and  London are planning on listening in. If you’re interested in hearing me babble, here’s how!

Make sure you’ve got the right time – I use the World Clock at Time & Date, it seems the easiest.  Go to the ABC Northern Tasmania website and find the “Listen Now” tab (on the right hand side) and there you go! I’m performing on the Drive Show.

Meanwhile, I’m taking my new camera (Wayne) on the road with me and I’m sure to have lots of new photos to share once I get back home. I’ll leave you with a new pic courtesy of the very talented Hailey Gearman, Hobart photographer and all-round great gal!

 

 

 

The Quest For Excellence

It’s a given – we’ve all learned enough about our instrument/s to get up the courage to go out and start gigging. Forever after it’s a constant struggle to be better at what we do, to hone our craft. That is every musician’s lot from the beginning to the end of our careers.

Why doesn’t this apply to other people in our industry?

I had contact back in June from a lovely group of people up the northern end of Tasmania who want me to come and play a solo concert show for them next month. (Friday Nite Folk – I can’t wait – it’ll be great fun!) In order to make sure  I cover my costs, I put out feelers for another gig in the region. I got in touch with a  young man I’ve met a couple of times for a regular night he books and we settled on the date I needed. That date was confirmed by another musician friend of mine who lives in his area a few days later. Fantastic! My mini tour is set up, and I know my costs are fully covered.

Last week (six weeks out from the gig) I found out my covering gig hasn’t been booked. There is no apology, attempt to explain – all I’m told is the night is booked – and not for me. With a bit more investigation, it seems I’m not the first musician to have their dates canceled without notice. Now don’t get me wrong, this guy is (in my experience of him) a really nice young fellow. “He’s just a bit disorganised”, is what everyone says of him.

A friend told me during the week of his experiences in northern England back in the 80’s, though I think you could transfer this to any part of the planet and any time period. Young guys who ended up as bookers for clubs because it provided them with entertainment in their local bar, free booze from the venue and a chance to “pull birds”. The actual  booking and management of their work was an afterthought, and my friend had several experiences of turning up to play a show only to find they’d been double-booked by someone who couldn’t keep their schedules straight.

It’s something we’ve all been through I’m sure but it’s caused me to think about the levels of professionalism that exist in our industry for people out of the spotlight – bookers, managers and agents – and how we as performers can help improve them.

There are quite a few organisations and publications that cater to this: in Tasmania CMST have run management forums and I know are interested in improving local standards, MMF Australia which is linked directly to the IMMF and provide brilliant workshops and resources to people at all levels.

At a base level however, all the workshops and books in the world won’t change ingrained habits. It’s the old “you can take the horse to water but you can’t make it drink” scenario. People have to want to change their behavior.

And that’s where we come in, we have the power of the word……. if you as a performer are unhappy with your treatment by a booker – complain to their venue management.

Speaking up is so important not only in our self management as artists but also in being clear in our business communication. I know people are often unwilling to complain because they’d rather have a badly organised gig than no gig at all and they’re frightened of being punished by a booker for complaining to their management. Anyone who threatens a performer in that manner is engaging in workplace bullying and should be reported immediately.

So friends, be clear in your communications, and if you have cause to complain keep it on a business footing – don’t get personal, it’s tacky and unprofessional. Speak up and be heard, for the sake of improving your business dealings as well as your music!

Live at The Peacock Theatre, Hobart (Photo by Saria Philips)

The Fringe Dwellers – Sneak Preview

The Fringe Dwellers are my new band – Mal Battersby (The Bat Band) – guitars & vocals, Oscar Neyland – bass guitar, James Excell – drums and me on vocals & rhythm guitar.

As some of you might be aware, it’s a very long time since I’ve been in a band and this is shaping up to being a very rewarding experience! The music is a broad mix of genres, with songs written by Mal and some by me.

We’re just in the final stages of completing our first full recording “After Time” and it’s sounding excellent!

For those of you in southern Tasmania, we’re playing our first proper pub gig next Friday 22nd June at The Grand Poobah in Liverpool St, Hobart. It’s the end of mid-year exams for all my uni friends, so we’re planning to party! We’d love to see you there 😀

Meanwhile, this is one of my favourite photos of Mal & me, taken by our beautiful photographer friend Saria Phillips…… it kinda sums things up pretty well – we have a lot of fun 😉

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