Out of Blue

 

Patricia Clarkson in Out of Blue (2018)

Out of Blue (2018) Written and directed by Carol Morley.

To the best of my knowledge, this existential neo noir never got a full cinema release in Australia, but I heard a very positive review by British critic Mark Kermode and had been listening to the excellent Clint Mansell soundtrack since it was released to streaming services. It seems to have divided audiences and critics, with some finding it boring and pointless, while others (like me) find it a satisfyingly open-ended examination of memory, belonging and our place in the universe that happens to be woven around a straightforward crime narrative.

I watched this last night and now (the following morning) I just want to watch it again! Like so many films that defy standard conventions, I think there’s a lot of subtext to be found on repeat viewing and this is one of those movies that’s really got under my skin.

British filmmaker Carol Morley loosely based her screenplay on the 1997 novel ‘Night Train’ by Martin Amis (a book I haven’t read) and from all accounts, turned the narrative on its head in order to bring this singularly thoughtful film to the screen.

At its core is the excellent performance of Patricia Clarkson as the troubled detective Mike Hoolihan. The stillness that Clarkson brings to this role provides a solid central point that makes it work so well for me. The fine cinematography by Conrad W. Hall and production design by Jane Levick bring tremendous atmosphere to the movie and the continued use of a red and blue colour palette work beautifully.

I can see that some viewers would be confused by what appears to be a standard crime thriller turning into a visual essay on metaphysics but I like films that challenge as well as entertain. Despite some critics finding this confusing or messy, I really enjoyed it. If you’re in the mood for something a little more abstract in narrative cinema, seek this out.

Out of Blue is available on YouTube Movies or Google Play to rent or buy.

Rules of Conduct – A Rant

It was a damp Sunday afternoon, so I decided to go and see Baby Driver today at the lovely State Cinema in North Hobart. I’ll write a review about it in the next few days when I’ve had a chance to think about the film a little more but suffice it to say, I loved the music, the performances and the incredible editing. I’m just not certain about the ending – but I’ll talk about that soon.

What I want to discuss today are that unspoken guidelines that I’ve lived by all my life, the core rules of conduct in movie-going – that is to say, one is always silent while the movie is playing! The only exception is laughter. I’ve been heartened to see that people like Mark Kermode and Simon Mayo actively encourage this through their podcast but sometimes I wonder if it’s just because they’re a similar vintage to me and we’re just showing our age.

For those of you who are interested, here’s The Moviegoers’ Code of Conduct  from the Wittertainment wiki. Alternatively, Kermode and Mayo made this short video version a few years ago, which is recommended and very entertaining.

I grew up in a movie-loving, very cine-literate household, where both my father and older brother had their projectionist’s licence so trips to the cinema were our regular special event, and even when watching movies at home, the rules of conduct would be enforced. Even whispered conversations with my sister were discouraged during movies and I remember us being given oranges and a hand towel to take to the Saturday matinee because it made less noise. I do recall seeing my mother and father snogging once on a trip to the pictures, something they used to do when they were “courting” but never to the disruption of anyone else’s viewing.

Well, this afternoon, my friend and I got a coffee (in a china mug – not a disposable cup ❤ ) along with our tickets, wandered downstairs 10 minutes before the session started and selected a seat in the half full cinema and drank our coffee in relative peace before the feature started. Just as the trailers started, an older couple (maybe 60s) came in and noisily eased past the couple behind me. For the purposes of this blog, I’m calling him Mr Ignorant.

First, what I can only imagine was a biscuit packet came out, and a loud crunching and crackling. Then he started. Mr Ignorant talked all the way through the trailers, oohing and ahing at Charlize Theron and James McAvoy in Atomic Blonde, as well as Dunkirk and I found myself gripping the seat, hoping he was just getting it out of his system before the main feature started.

Alas, this was not to be.

Unfortunately, he kept up a near constant stream of chatter through the opening scene and drove me almost to distraction before the movie had even really begun. In an effort to stem the tide before the film really got going, I turned, and in the darkness asked in a loud voice “will you please stop talking?” Now, any of you who know me in the real world will know I have no trouble making myself heard, something to do with all that vocal training I’m sure! He stopped mid-sentence, almost affronted there was anyone else in the cinema and seemed to contain himself for the next scene.

Then the biscuit packet came out again. And the chatter started again. And I leaned in closer to my movie companion, who fortunately knows me well enough to not be freaked out by such behaviour!

So, with my head as far away from Mr and Mrs Ignorant as possible, I tried to lose myself in Baby’s shenanigans, only to be brought back again and again by the sheer ignorance of particularly the man behind me and that damned biscuit packet. I feel I need to go back and see the film again, without interruptions.

As soon as the film finished, they got up very noisily and left, making no illusion about their disdain towards me. Then, as the lights went up, two other patrons came over and thanked me for speaking up. They said they wanted to but felt they couldn’t.

But they should – we all should.

In fact, I should’ve gone out and found an usher and complained about Mr Ignorant. The only reason I didn’t is I’ve been waiting to see this film for a few weeks and didn’t want to miss a frame – or cause any more disruption to my fellow cinema patrons.

What do you think?

In the meantime, here’s a lovely, calming photo of some lovely, calming clouds. Take care friends and remember the Rules of Conduct next time you go to the cinema ❤

 

 

The Good, The Bad and The Multiplex by Mark Kermode – Book Review

Hello friends,

I’ve been off with study/work commitments for the last month or so but I’ve been reading some interesting bits and pieces and watching a lot of films in between. Here’s a short review of a book I only finished last night and published on Goodreads.

Hope you’re all well on this first day of southern hemisphere winter 😀

 

The Good, the Bad and the Multiplex: What’s Wrong with Modern Movies?The Good, the Bad and the Multiplex: What’s Wrong with Modern Movies? by Mark Kermode
My rating: 5 of 5 stars

I’m a fan of Kermode and Mayo’s podcast and currently doing a major in Screen Studies at university. While I’ve read a lot of academic papers about the topics covered here (including the death of celluloid and projectionists, the rise of automated multiplex cinemas and 3D, the roles and functions of film critics and how bad is Michael Bay) it was great to read something less formal and more passionate about the current state of cinema.

Yes, Mark Kermode is incredibly opinionated and renowned for his on air rants but he seems to be well aware of his own shortcomings, which I find refreshing. (This is particularly well noted in the final section, “American Without Tears” about the constant English language remakes of perfectly fine foreign language films). His style is conversational, a little rambling, includes some language he can’t use on air, and quite often laugh-out-loud funny (passing Dr Kermode’s own “6 laugh test” he imposes on screen comedies).

If you are interested in film give this a try – it’s really good entry level fodder to screen studies and one man’s journey in film criticism. I loved it but as Kermode often says, “other opinions are available”!

View all my reviews