Baby Driver

Baby Driver (2017) Working Title Films. Written and directed by Edgar Wright.

I really like Edgar Wright’s work. Going right back to the television cult classic Spaced (1999-2001) I’ve been a fan. But Wright was around before that, working with British comedy luminaries such as Bill Bailey and Alexei Sayle and making music videos.

Shaun of the Dead (2004), Hot Fuzz (2007) and The World’s End (2013) (collectively known as ‘The Cornetto Trilogy’) are all excellent movies, though I’m still not entirely sold on the second half of The World’s End. Scott Pilgrim vs. the World (2010) is, in my opinion, an often overlooked minor masterpiece, using some interesting methods to bring Bryan Lee O’Malley’s graphic novel to the screen. (If you haven’t seen it, go do it – you can thank me later).

So, what about Baby Driver? First, and arguably foremost, it’s a heist film, in the classic tradition of The Italian Job (1969) and a car chase movie, paying homage to films such as The French Connection (1971). Into this frenetic mix, Wright has put an amazing soundtrack and a solid cast. Many of the characters are archetypes but I found by the final act, I was totally invested in Doc (gloriously played by Kevin Spacey), Baby (Ansel Elgort) and his love interest, Debora (Lily James), who has surprisingly few lines but makes the most of her screen time. John Hamm, Jaime Foxx, Eiza Gonzalez and C J Jones are excellent in support.

While Wright is on record as saying most of the car chase scenes were done without a lot of CG assistance, I think the real unsung heroes of this film are cinematographer, Bill Pope and editors, Jonathon Amos and Paul Machliss. Their work here is exemplary, with the end product being possibly the first Car Chase Heist Musical.

This is a project that Edgar Wright has been wanting to make for many years. There’s echoes of Baby Driver in much of his previous work, (have a look at the music video for ‘Blue Song’ by UK duo Mint Royale from 2003) and he finally started it properly when he famously (and some would say wisely) walked away from Ant-Man (2015).

Apart from possibly spawning a new sub genre, there’s nothing new or groundbreaking with Baby Driver – but it’s incredibly entertaining, and surely with the current state of our world, that’s not such a bad thing. On reflection, I’d rather have Baby Driver than a Wright-directed Ant-Man 😀

Rules of Conduct – A Rant

It was a damp Sunday afternoon, so I decided to go and see Baby Driver today at the lovely State Cinema in North Hobart. I’ll write a review about it in the next few days when I’ve had a chance to think about the film a little more but suffice it to say, I loved the music, the performances and the incredible editing. I’m just not certain about the ending – but I’ll talk about that soon.

What I want to discuss today are that unspoken guidelines that I’ve lived by all my life, the core rules of conduct in movie-going – that is to say, one is always silent while the movie is playing! The only exception is laughter. I’ve been heartened to see that people like Mark Kermode and Simon Mayo actively encourage this through their podcast but sometimes I wonder if it’s just because they’re a similar vintage to me and we’re just showing our age.

For those of you who are interested, here’s The Moviegoers’ Code of Conduct  from the Wittertainment wiki. Alternatively, Kermode and Mayo made this short video version a few years ago, which is recommended and very entertaining.

I grew up in a movie-loving, very cine-literate household, where both my father and older brother had their projectionist’s licence so trips to the cinema were our regular special event, and even when watching movies at home, the rules of conduct would be enforced. Even whispered conversations with my sister were discouraged during movies and I remember us being given oranges and a hand towel to take to the Saturday matinee because it made less noise. I do recall seeing my mother and father snogging once on a trip to the pictures, something they used to do when they were “courting” but never to the disruption of anyone else’s viewing.

Well, this afternoon, my friend and I got a coffee (in a china mug – not a disposable cup ❤ ) along with our tickets, wandered downstairs 10 minutes before the session started and selected a seat in the half full cinema and drank our coffee in relative peace before the feature started. Just as the trailers started, an older couple (maybe 60s) came in and noisily eased past the couple behind me. For the purposes of this blog, I’m calling him Mr Ignorant.

First, what I can only imagine was a biscuit packet came out, and a loud crunching and crackling. Then he started. Mr Ignorant talked all the way through the trailers, oohing and ahing at Charlize Theron and James McAvoy in Atomic Blonde, as well as Dunkirk and I found myself gripping the seat, hoping he was just getting it out of his system before the main feature started.

Alas, this was not to be.

Unfortunately, he kept up a near constant stream of chatter through the opening scene and drove me almost to distraction before the movie had even really begun. In an effort to stem the tide before the film really got going, I turned, and in the darkness asked in a loud voice “will you please stop talking?” Now, any of you who know me in the real world will know I have no trouble making myself heard, something to do with all that vocal training I’m sure! He stopped mid-sentence, almost affronted there was anyone else in the cinema and seemed to contain himself for the next scene.

Then the biscuit packet came out again. And the chatter started again. And I leaned in closer to my movie companion, who fortunately knows me well enough to not be freaked out by such behaviour!

So, with my head as far away from Mr and Mrs Ignorant as possible, I tried to lose myself in Baby’s shenanigans, only to be brought back again and again by the sheer ignorance of particularly the man behind me and that damned biscuit packet. I feel I need to go back and see the film again, without interruptions.

As soon as the film finished, they got up very noisily and left, making no illusion about their disdain towards me. Then, as the lights went up, two other patrons came over and thanked me for speaking up. They said they wanted to but felt they couldn’t.

But they should – we all should.

In fact, I should’ve gone out and found an usher and complained about Mr Ignorant. The only reason I didn’t is I’ve been waiting to see this film for a few weeks and didn’t want to miss a frame – or cause any more disruption to my fellow cinema patrons.

What do you think?

In the meantime, here’s a lovely, calming photo of some lovely, calming clouds. Take care friends and remember the Rules of Conduct next time you go to the cinema ❤