Spider-Man: Homecoming

Spider-Man: Homecoming (2017) Columbia Pictures/Marvel Studios. Directed by Jon Watts.

It’s Saturday night and I’ve just got home from the movies. I wanted to see Edgar Wright’s latest release, Baby Driver and probably should’ve seen Wonder Woman (yes I know, it’s shameful I haven’t seen it yet!) but I’m really pleased I saw Spider-Man: Homecoming!

From the opening credits that riffed the Avengers theme music around the old Spiderman TV series theme, this was fun! Tom Holland is really excellent as Peter Parker/Spider-Man, and at 21 can just about pass for a geeky, awkward 15 year old high school student who’s discovered he has superpowers. And I think that’s what I really found charming about this film, it was as much a coming of age story as a superhero film. The scenes that involved the young cast were really well done, and although not aimed at a middle aged audiences like me, I really found myself caring about those kids. My standouts were Ned, beautifully played by Jacob Batalon as Peter’s best friend and Zendaya (playing against type) as the mouthy and happily dysfunctional Michelle.

Among the grown ups present, Michael Keaton made a wonderful villain as Adrian Toomes/Vulture, Marisa Tomei was sympathetic and lovely as Aunt May and of course, Robert Downey Jr. ate up every scene he was in. I was really pleased to see Jon Favreau reprising his role as Happy Hogan too.

A lot has been said about the necessity for yet another reworking of this franchise for the big screen, but I think the Marvel makeover was warranted and definitely a success. I do think it owes a great deal to the Sam Rami 2002 Spider-Man – especially the school scenes. I still think Rami’s take on the material was excellent for two of his three films and today, somewhat underrated. But this is Marvel, so the set pieces are well choreographed, intense and the CG is for the most part very well done. Unlike some of their more recent efforts, the final battle didn’t overstay its welcome and like most of the MCU features, this film made great use of music. The scene with Spidey swinging around New York to The Ramones’ “Blitzkrieg Pop” was fabulous.

Perhaps above all, this movie made me laugh out loud more than once, and I left the cinema with a smile on my face – a fun popcorn movie 😀

 

Excalibur (1981) – Movie Review

As many of you know, I’m doing a Bachelor of Communication at the moment. I’ve recently read one of Mark Kermode’s books and that’s also inspired me. While I’m busy with study, work, gardening and music, from time to time, I want to exercise some of the things I’ve been learning at uni and indulge in two of my greatest pleasures in life – watching movies and writing. I hope you enjoy my musings 🙂

Excalibur (1981) Orion Films. Directed by John Boorman.

I remember seeing this on first cinematic release back in the day, and it’s become something of a guilty pleasure that I like to revisit every year or so. It’s cheesy, at times very theatrical but there’s something about it I really love.

English director John Boorman created (for its day) an incredibly violent yet a very tender retelling of the Arthurian legend. The late Nigel Terry stars as Arthur and brings both tremendous strength and an aching innocence to the role and is surrounded by a “who’s who” of the cream of UK’s up and coming thespians, including Liam Neeson, Ciaran Hinds, Gabriel Byrne, Cherie Lunghi and Patrick Stewart. But the reason I continue to re-watch this is the brilliant portrayal of Merlin by Nicol Williamson. He eats up the screen, and his scenes with a very young Helen Mirren as Morgana Le Fey are simply riveting. Legend has it that Mirren and Williamson absolutely loathed each other at the commencement of shooting but became “very good friends” by the time it was completed. Irrespective, their performances are outstanding.

The original music by Trevor Jones is for the most part excellent but there’s a few times where I feel it intrudes on the scenes. Much of the action is informed by the sumptuous cinematography of Alex Thompson and it’s no surprise to me that he was nominated for an Academy Award for this film. The Irish countryside stands in for Arthur’s England and all its grey, bucolic green and muddy glory is well on display here. Interestingly, I recently read that Boorman had chosen many of the sites for his Lord of the Rings project, which never got off the ground. The similarities as well as the appeal of Ireland isn’t lost on me, and I wonder if Peter Jackson ever watched this and had similar thoughts.

Yes, the practical effects and fight scenes are dated and at times it looks and feels more like stage play but to my eyes it’s the best cinematic retelling of this classic tale – far more entertaining and engaging than either Antoine Fuqua’s King Arthur (2004) or Guy Ritchie’s King Arthur: Legend of the Sword (2017). I can’t help but feel that Boorman has a real fondness for the Arthur myth, which shows throughout.

Have you seen Excalibur? Let me know what you think. Also, if you have particular films you’d like me to watch, let me know – I’ve always got time for a good movie!

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